I'd have to agree with Doc;
The Morning After is a fine, very terse piece of descriptive writing, I felt there was an underlay of wonderfully jaded bitterness to the description, but I was underwhelmed by
The Kiss, mostly because I knew exactly what was going to happen half way though. The minute Alison says that her dad "never got over her", my mind immediately thought of what Sophie had said earlier, and the simple fact that in a short story, no dialogue or action shown is unlikely to be coincidental or irrelevant, led me to uncover the rest of the story before I'd even read it.
Don't get me wrong, it's not a terrible piece of writing, but since the plotting is rather transparent it doesn't hold the interest particularly well.
(A minor quibble: Alison notes that "She liked to refer to me as Alison". As opposed to what? It is her name, after all, and at this point it's fairly obvious that they are fairly well acquainted with one another, so it's unlikely she would refer to a more formal title. I'm sorry, it just stuck in my mind and annoyed me.)